The Transit

 play music from my sampler machine on the public bus and the subway (giving a concert) meeting and being with a random travelling audience.  Play music, two days in a row, on different busses and on the subway. 

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- not interact with anyone. 

 

The action in itself was the score. There is no rehearsal, and there is no introduction and there is also no set order. I link this to the artist Allan Kaprow and his approach to a “happening”, where the situation is making the dramaturgy and when art and life gets blurred in a real place in real time. Not on stage, but in life. I wanted to see how I work when meeting the public, where I don't have control of how and who and when something will happen. 

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